Manufacturers of high-grade earthenware, majolica and porcelain at Cauldon Place, Hanley (Shelton area), Stoke-on-Trent, England.  Also manufacturers of sanitary ware. 

Brown-Westhead, Moore & Co. was a prominent English pottery manufacturer during the 19th and early 20th centuries. They held a Royal Warrant as "Potters to her Majesty" (Queen Victoria). 
Renowned for their high-quality earthenware and porcelain, they were significant contributors to the development of decorative ceramics in the Victorian era. 
The firm excelled in both domestic and export markets, producing richly decorated tableware and ornamental pieces that reflected classical, Renaissance, and Aesthetic Movement influences. They were especially noted for their innovation in printed and relief-moulded designs, and their work often featured elaborate patterns, including Italianate and neo-Rococo styles.

• In December 1861 William Bates resigned from the business of Bates, Brown-Westhead & Moore and the company became Brown-Westhead, Moore & Co. 

• The partners included Thomas Chappell Brown-Westhead, William Moore, James Moore, Robert George Scrivener and Edward Moss. 

• The company exhibited at many of the International Universal Exhibitions - London 1851, Paris 1855, Manchester 1857, London 1862, Lyons 1872, Cologne 1875, Philadelphia 1876, Paris 1878, Sydney 1879, Melbourne, 1880, Adelaide 1881, and the Grand Prix, Paris, 1889 where they secured the Grand Prix and two medals. 

• In 1893 Brown-Westhead, Moore & Co. employed around 1,400 people and operated twenty-two glost and biscuit ovens.

• In 1904 Brown-Westhead Moore & Co. was incorporated as a Limited company and was renamed to Cauldon (Brown-Westhead Moore & Co.) Ltd. The ownership and management of the company remained the same. 

T.C. Brown-Westhead
Moore & Co

the impressed numbers are probably workman marks - added by 
the people producing the ware - as a form of quality control 

the pattern is of game or farm birds with floral spray on the left side of the scene  

The registration diamond gives a date of 25th September 1868 which was the date of the registration of the shape/design of the ware - this shape would have been used for a number of different patterns.

The registration number 80107 shows that the pattern itself was registered on the 3rd September 1887 and so the dinner set was made sometime in the 1887-1904 period

the other painted and impressed numbers are probably workman marks - added by the people producing & decorating the ware - as a form of quality control

large platter in the Thessaly pattern

Thessaly was one of the traditional regions of Ancient Greece - 
the pattern is described as "A printed design in Italianate taste, the centre a rosette in overlapping pointed oval bands spreading out into foliate spirals, the border symmetrical groups of foliate tendrils" (David Beaton - NCS)

The registration number 67804 shows that the pattern itself was registered on the 12th February 1887

The registration diamond gives a date of 6th December 1882 which was the date of the registration of the shape/design of the ware - this shape would have been used for a number of different patterns

the registration number 92932 shows that the pattern was registered on the 6th February 1888
the pattern is described as "A printed design comprising a bold spray of large petalled flowers with cone like stamens amidst leave and a leafy twig border motif"

the other painted and impressed numbers are probably workman marks - added by the people producing & decorating the ware - as a form of quality control