Search for the Old Roads of Stoke-on-Trent
 


Moneto House, Ricardo Street, Dresden


click the "contents" button to get back to the main index & map
previous: Bournes Bank, Burslem
next: the Bridle Path, Dresden


 

Historian Fred Hughes writes....   

There are some places that draw you back like a bee to a hive or a bird to its nest; a honeymoon spot say, or a childhood holiday beach. For me such a place is Dresden. Yes, I do mean Dresden Stoke on Trent, that sprawl of streets and houses crammed between the A50 and Queen’s Park. But my, what streets, what houses!

“I know where you’re coming from,” observes historian Steve Birks dryly. “I too have always had a soft spot for Dresden. Historically it’s unlike any other location in the Potteries because it grew from the district’s first Freehold Land Society. It goes back to 1793 when George III government encouraged increased private house-building.

Lending money for house-building introduced so-called Friendly Societies whose members deposited money enabling them to borrow from a bigger shared pot. They were commonly known as ‘self-building societies’. The first was the Greenwich Building Society in 1809 who lent shared-money tied to interest repayment. It’s from these beginnings our modern mortgage banks take root.”

 

Collective land-buying to partition plots for individual sale was right up the street, as it were, of local builders linked to burial societies and provident clubs. In the absence of planning restrictions a purchaser could build a house to any specification. And once all the land was sold and the last repayment was made, the building society simply disbanded. Those that remained became known as Permanent Building Societies.

“The crucial electoral qualifications in the early 19th century were based on ownership of a freehold with a minimum value of 40 shillings, and the occupation of a house with a rateable value of at least £10 a year,” says Steve. “This is why many radical Liberals became sponsors of the new ‘self-building societies’. They were simply vote-catching.”

In mid-19th century Longton potbanks occupied the middle of the town.
In mid-19th century Longton potbanks occupied the middle of the town.

 

In mid-19th century Longton potbanks occupied the middle of the town. Most of the surrounding land was owned by private landowners the biggest of which was the Duke of Sutherland. But the arrival of the Longton Freehold Land Society changed the landscape by buying Spratslade Farm in 1854 for £5,000 and calling it Dresden.

“The Society’s membership was registered to 200,” says Steve. “Ten years later 505 houses had been built on this freehold estate and you can see the individuality of whim and passion in the variety of architecture.”

Indeed if you walk along the streets the shock of architectural diversity is immediate, particularly in Ricardo Street where there is no single word other than WOW that fits the house at number 53 – Moneta House, sometimes called Tower House. This astonishing pile of bricks and stone was contrived in 1865 by a Nottingham architect named Sutton and is outrageously at odds with the rest of the street having the Gothic characteristics of Citizen Kane’s Xanadu. It is a creation in red-and-yellow ornamented with carved stone lintels and preposterous marble globes half-buried in its façade as though the walls had been laid siege-to and pummelled with cannonballs. Its current owners are Keith and Chris Duffy.

Gothic characteristics of Moneta House with marble globes half-buried in its façade as though the walls had been laid siege-to and pummelled with cannonballs.
Gothic characteristics of Moneta House with marble globes half-buried in its façade as though the walls had been laid siege-to and pummelled with cannonballs.

 

“It’s not just a home to us,” says retired midwife Chris, “It’s a lifelong project that we’ve inherited. And lifelong seems to be the best and perhaps the only word to use. We bought the house six years ago and have continued restoration work to bring it back the way it used to be, the way the architect intended it. Luckily most of it is intact.”

Four storeys rise above the sandstone steps of an exposed basement, while the tower rests upon arched marble columns with humorously unaligned capitals supporting an open porch. It is gaunt, majestic and comical all in one go. But it’s the interior quirky nick-knacks and hideaways that impress most. Ceiling ventilators and decorative roses adorn spacious rooms. Wrought-iron fretted banister supports lure the eye as the stairs climb to the turreted simulated ramparts.

number 53 – Moneta House, sometimes called Tower House.
number 53 – Moneta House, sometimes called Tower House.

“There’s a small tower room on each floor,” says Chris detailing her extensive inventory. “They are treasures just to peep into as you walk by. That’s how wonderful the house is. It’s just a joy to wander in and out the rooms simply looking and touching the pitch-pine woodwork and gazing at the intricate depth of the cornice mouldings, marble fireplaces, carved brass knobs and walk-through wide door arches.”

Up and up we climb following the winding staircase until we reach the attic.

“Now look through the window,” commands Chris. And there unfolding before me is the whole of Longton in one gorgeous panorama. “I think that’s one of the finest views in Stoke on Trent,” she whispers almost inaudibly. I just look in awe.

 


For all the love Chris and Keith have for the house its previous owner was less in thrall to it. Moneta House was known to the artist June Burnett as Tower House. It was her residence for 40 years.

“I can’t say it was my home,” reflects June. “It was my husband Philip’s passion. He loved it because it was big enough for a library to house his two-thousand books.”

June, whose work is currently being exhibited at Keele University, did however use the house as a studio. She left some of her work behind painted in a number of wall murals. It is work that Chris adores, refusing to remove or paint over.

“Why did we buy the house?” muses June. “Well it had been multi-occupancy accommodation for years and was being sold cheaply. Amazing when you think that no-one wanted to buy possibly one of the most exciting houses in the Potteries. But it was a wreck. Surprisingly though most of the entire original features were intact.

Philip died a few years back. It was time for me to move on. It is lovely but I don’t miss it.”
 

I came to Dresden to write about the old Bridle Path. But once again I find myself fantastically sidetracked, so that story will have to wait until next week.


  More on Dresden and the Freehold Land Society

12 May 2008


click the "contents" button to get back to the main index & map
previous: Bournes Bank, Burslem
next: the Bridle Path, Dresden